Rip meaning的問題，透過圖書和論文來找解法和答案更準確安心。 我們找到下列免費下載的地點或者是各式教學

The Unmasking Style in Social Theory

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為了解決Rip meaning的問題，作者Baehr, Peter 這樣論述：

This book examines the nature of unmasking in social theory, in revolutionary movements and in popular culture. Unmasking is not the same as scientific refutation or principled disagreement. When people unmask, they claim to rip off a disguise, revealing the true beneath the feigned. The author dist

inguishes two basic types of unmasking. The first, aimed at persons or groups, exposes hypocrisy and enmity, and is a staple of revolutionary movements. The second, aimed at ideas, exposes illusions and ideologies, and is characteristic of radical social theory since the eighteenth-century Enlighten

ment. The Unmasking Style in Social Theory charts the intellectual origins of unmasking, its shifting priorities, and its specific techniques in social theory. It also explores sociology's relationship to the concept of unmasking through an analysis of writers who embrace, adapt or reshape its meani

ng. Such sociologists include Vilfredo Pareto, Karl Mannheim, Raymond Aron, Peter Berger, Pierre Bourdieu, Luc Boltanski and Christian Smith. Finally, taking conspiracy theories, accusations of social phobia and new concepts such as micro-aggression as examples of unmasking techniques, the author sh

ows how unmasking contributes to the polarization and bitterness of much public discussion. Demonstrating how unmasking is baked into modern culture, yet arguing that alternatives to it are still possible, this book is, in sum, a compelling study of unmasking and its impact upon modern political lif

e and social theory. Peter Baehr is Research Professor in Social Theory at Lingnan University, Hong Kong. He is the author or editor of several books, among them Caesar and the Fading of the Roman World; Hannah Arendt, Totalitarianism and the Social Sciences; and Founders, Classics, Canons: Modern

Disputes over the Origins and Appraisal of Sociology’s Heritage.

Rip meaning進入發燒排行的影片

觸及閱聽人：中國獨立電影的發行研究

為了解決Rip meaning的問題，作者袁海濤 這樣論述：

本研究重點考察獨立電影在影展、戲院、流媒體、民間放映和網絡盜版等管道的發行情況，分析其優勢劣勢，探討其傳播的行動者網絡。本研究深度訪談了18位受訪對象，他們分別來自導演、製片、策展、發行等領域。為了補充訪談資料的不足，本研究還結合對歷史文獻資料，包括報刊、雜誌、書籍、期刊、研究報告的分析和梳理。研究發現，早期中國獨立電影市場萎靡，經濟蕭條，中國獨立電影主要是通過半正規和非正規的形式發行影片，而在2012年以後，三大獨立影展逐漸停辦，中國電影市場票房高速增長，獨立電影的子場域逐漸轉變，中國獨立電影通過轉變自身身份，以青年電影、藝術電影的身份認同，缓解與官方的緊張關係，從而獲得正規發行的機會。國

際影展是扶持、推動中國獨立電影創製和發行的重要場域，但近年來，隨著中國經濟的發展，許多扶持基金暫停了對中國獨立電影的扶持，中國上升的製片、發行成本也給予獨立電影創製發行增加了難度。近年來獨立電影在國際市場回報率偏低，更多的獨立電影轉向國內發行，以爭取更大的票房回報。其次，中國流媒體平台暫時無法挑戰傳統產業鏈，以流量為王的價值取向，與獨立電影的價值取向格格不入，獨立電影也無法依靠流媒體平台獲利。最後，票務平台參與電影製作與發行，在根本上改變了電影的發行方式，演算法加劇了市場的集中度，水軍、平台售票、評分、意見領袖、口碑驅動的戲院排片模式，導致戲院發行過於集中，僅有少部分爆款（Blockbuste

rs）影片獲利。盜版穿透版權法和審查機制，並依靠平台技術、社群媒體和支付技術發展出「打賞發行」的模式。

The Unmasking Style in Social Theory

為了解決Rip meaning的問題，作者Baehr, Peter 這樣論述：

This book examines the nature of unmasking in social theory, in revolutionary movements and in popular culture. Unmasking is not the same as scientific refutation or principled disagreement. When people unmask, they claim to rip off a disguise, revealing the true beneath the feigned. The author dist

inguishes two basic types of unmasking. The first, aimed at persons or groups, exposes hypocrisy and enmity, and is a staple of revolutionary movements. The second, aimed at ideas, exposes illusions and ideologies, and is characteristic of radical social theory since the eighteenth-century Enlighten

ment. The Unmasking Style in Social Theory charts the intellectual origins of unmasking, its shifting priorities, and its specific techniques in social theory. It also explores sociology's relationship to the concept of unmasking through an analysis of writers who embrace, adapt or reshape its meani

ng. Such sociologists include Vilfredo Pareto, Karl Mannheim, Raymond Aron, Peter Berger, Pierre Bourdieu, Luc Boltanski and Christian Smith. Finally, taking conspiracy theories, accusations of social phobia and new concepts such as micro-aggression as examples of unmasking techniques, the author sh

ows how unmasking contributes to the polarization and bitterness of much public discussion. Demonstrating how unmasking is baked into modern culture, yet arguing that alternatives to it are still possible, this book is, in sum, a compelling study of unmasking and its impact upon modern political lif

e and social theory. Peter Baehr is Research Professor in Social Theory at Lingnan University, Hong Kong. He is the author or editor of several books, among them Caesar and the Fading of the Roman World; Hannah Arendt, Totalitarianism and the Social Sciences; and Founders, Classics, Canons: Modern

Disputes over the Origins and Appraisal of Sociology’s Heritage.

移動與希望：逆風劇團個案研究

為了解決Rip meaning的問題，作者趙由靖 這樣論述：

人的一生都在移動。本文發展邊緣群體自我賦權「移動性」研究，關注移動性對於當今社會生活的影響，尤其是對於社會邊緣群體的影響。本文以曾是社會邊緣族群的逆風劇團個案探討非志願移動生活經驗對於團員影響，他們如何在不友善的社會與實體空間中打造了繫留場所、展開連結網絡？這個網絡如何為他們在主流社會中找到自己的位置？而實體空間在其移動、繫留與連結過程中又扮演了什麼角色與功能？本研究採用文獻探討、深度訪談、參與式觀察等方法，分析並描繪逆風劇團得以運作的行動者網絡，藉由個案調查分析，展現移動性在當代社會生活中的重要性，尤其是對邊緣團體在自我賦權過程中帶來的機會。首先本文從遊牧、移動性、非地方去討論非行少年與社

會主流意識「定居主義」者的衝突及在社會空間的權力政治，本文總結了一些特點和影響，勾勒風劇團如何在追尋意義的地方後，以新的方式定居、旅行及擴展社會網絡，重新塑造自己及非行少年生活與夢想，我們也看見移動力如何中介了非行少年改變，從原本是非行少年抵抗社會的形式，逐步轉變成一股解放社會紐帶及提升力量。