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台灣文學英譯叢刊(No. 47)

為了解決Sophia meaning的問題，作者 這樣論述：

　　Apart from “new poetry” composed in the vernacular language, the tradition of classical poetry originating in China has also been maintained in Taiwan. We cannot ignore the fact that those poets who continued to compose classical verse, as well as the activities of their poetry societies, are ye

t another aspect of the diversity of Chinese-language poetic development in Taiwan which at the same time has unique local characteristics.    　　Professor Huang's organization of the issue includes an introductory essay, entitled “Poems that Speak of Taiwan—Speaking of Taiwan Poetry” in which she gi

ves a brief summary of the historical background and special character of the development of classical poetry in Taiwan.   　　According to her careful plan, Professor Huang divided the poems translated for this special edition into six thematic sections:   　　1) Taiwan and Taiwanese in the Interstices

of History (6 poems) 　　2) Crossing the Ocean to Taiwan, Putting Down Roots that Grow Along with Chinese Culture (5 poems) 　　3) Poems on the Aesthetics of Natural Landscape Scenery (6 poems) 　　4) Climate, Natural Resources, and Food (6 poems) 　　5) Folk Customs, Festivals, and Sacrificial Ceremony (4

poems) 　　6) Poems Expressing Emotions, Sentiments and Criticisms (7 poems)   　　In the poetry selected for this issue we see the rich, expansive content of classical Chinese verse from Taiwan. That verse manifests the responses of Taiwanese poets to their times, to nature, to places and to people. I

t also reflects the many faces of Taiwan's specific temporal and geographical background through depictions of local experiences and the local spirit.   　　台灣詩歌的發展，除了以白話文創作的新詩之外，還有繼承中國古典詩歌傳統、延續不絕的古典詩歌創作者及其詩社活動，呈現出台灣漢詩發展的多樣性，同時又有其在地特色。   　　在黃美娥教授的策劃下，這一專輯的內容，除了詩選以外，本輯還有特地請黃教授撰寫一篇導論〈詩說台灣．說台灣詩〉，簡述台灣古典詩發

展的歷史背景和主要特色。另一篇是黃教授撰寫的學術論文，〈實踐與轉化：日治時代臺灣傳統詩社的現代性體驗〉（摘譯）。關於詩選，共選31家，34首，根據題材，分成6個主題，以呈現台灣古典漢詩的特色。在題材上，反映社會和生活的開闊性和呼應歷史和時代的現代性。

The Production Sites of Architecture

為了解決Sophia meaning的問題，作者Psarra, Sophia (EDT) 這樣論述：

The Production Sites of Architecture examines the intimate link between material sites and meaning. It explores questions such as: how do spatial configurations produce meaning? What are alternative modes of knowledge production? How do these change our understanding of architectural knowledge? Feat

uring essays from an international range of scholars, the book accepts that everything about the production of architecture has social significance. It focuses on two areas: firstly, relationships of spatial configuration, form, order and classification; secondly, the interaction of architecture and

these notions with other areas of knowledge, such as literature, inscriptions, interpretations, and theories of classification, ordering and invention. Moving beyond perspectives which divide architecture into either an aesthetic or practical art, the authors show how buildings are informed by inte

rsections between site and content, space and idea, thought and materiality, architecture and imagination. Presenting illustrated case studies of works by architects and artists including Amale Andraos, Dan Wood, OMA, Koen Deprez and John Soane, The Production Sites of Architecture makes a major con

tribution to our understanding of architectural theory. Sophia Psarra is Professor at the Bartlett, University College London, UK. Previously, she was Associate Professor at the University of Michigan and Senior Lecturer at Cardiff University. Her research explores the relationship between spatia

l characteristics, use, social relations and cultural meaning. Psarra has collaborated on the relationship between layout, exhibition narratives and visitors’ experience with cultural institutions such as the MoMA in New York and the Natural History Museum in London. She has won first prizes in inte

rnational architectural competitions and her work has been exhibited at Venice Biennale, the George Pompidou Center, NAI Rotterdam, and in London, Berlin, Milan and Athens. She is the author of Architecture and Narrative (2009) and The Venice Variations (2018).

現代女性小說中「獨與毒」的母女關係—— 以《別送》、《人魚紀》、《墟行者》為觀察對象

為了解決Sophia meaning的問題，作者張晴 這樣論述：

本文以茱莉亞．克莉斯蒂娃的賤斥理論，分析現代女性小說《別送》、《人魚紀》、《墟行者》中「獨與毒」的母女關係，即缺愛女兒們如何修復心中的母愛創傷。第二章分析《別送》中敘事者李雁兒和失能母親的「病」、情人的「欲」難分難捨的關係，母女關係破裂，導致女兒親密關係發展不順，最終女兒以佛理安頓身心，與自我和解。第三章分析《人魚紀》中敘事者夏天與有毒母親因「性創傷」而決裂，最終夏天以跳雙人舞解放女性身體，自我認同，自我療癒。第四章分析《墟行者》中敘事者蘇菲亞與控制狂母親之間「愛的匱乏」，造成母女疏離，最終蘇菲亞透過存在主義的思想，找回自我生存的價值與意義。第五章總結以上，缺愛女兒終於擺脫母親的掌控，不再視

自己為卑賤體，與母親劃清界線，找回自由獨立的主體。