已經跟呼吸一樣重要的網路和手機論文書籍站
Classy meaning的問題，透過圖書和論文來找解法和答案更準確安心。 我們找到下列免費下載的地點或者是各式教學
Classy meaning的問題，我們搜遍了碩博士論文和台灣出版的書籍，推薦Gutzke, David W./ Law, Michael John寫的 The Roadhouse Comes to Britain: Drinking, Driving and Dancing, 1925-1955 和Gutzke, David W./ Law, Michael John的 The Roadhouse Comes to Britain: Drinking, Driving and Dancing, 1925-1955都 可以從中找到所需的評價。
另外網站Mean & Classy 專輯- Trench B也說明：Trench B的專輯「Mean & Classy」在這裡，快打開KKBOX 盡情收聽。
這兩本書分別來自 和所出版 。
國立東華大學 企業管理學系 吳宗瓊所指導 蘇秋萍的 女性獨自旅行者與陌生男性的相遇及體驗 （2020），提出Classy meaning關鍵因素是什麼，來自於女性獨自自助旅行、社交互動、難忘觀光體驗、陌生人騷擾、遊客騷擾。
而第二篇論文中原大學 國際商學碩士學位學程 林瓊菱所指導 陳淩峰的 超級巨星的要素探討—以韓國與印尼娛樂圈案例分析 （2019），提出因為有 特色元素、超級明星、娛樂業、印尼、韓國的重點而找出了 Classy meaning的解答。
最後網站Classy Meaning in English則補充：means stylish, elegant, or of high quality.
The Roadhouse Comes to Britain: Drinking, Driving and Dancing, 1925-1955
為了解決Classy meaning 的問題，作者Gutzke, David W./ Law, Michael John 這樣論述：
This is the first book to examine the cultural phenomenon of the roadhouse in mid 20th-century Britain and its impact on British leisure. The term 'roadhouse' was used in varied ways in the 1930s, from small roadside tearooms to enormous establishments on the outskirts of major cities. These roadhou
ses were an important component in the transformation of leisure in the 1930s and beyond, reflecting the increased levels of social and physical mobility brought about by new technologies, suburbanisation and the influence of American culture. Roadhouses attracted wealthy Londoners excited by the pr
ospect of a high-speed run into the countryside. During the day, they offered family activities such as tennis, archery, horse riding and swimming. At night, they provided all the fun of the West End with dancing, classy restaurants, cabaret, swimsuit parades and dance demonstrations, subverting the
licensing laws to provide all-night drinking. Rumours abounded of prostitution and transgressive behaviour in the car park. Roadhouses formed part of an imaginary America in suburban Britain that was promoted by the popularity of American movies, music and fiction, providing a pastiche of the Ameri
can country club. While much work has been done on the Soho nightclubs of the 1930s, the roadhouse has been largely ignored. Michael John Law and David Gutzke fill this gap in the literature by providing a comprehensive analysis of the roadhouse's cultural meaning, demonstrating how its Americanisat
ion was interpreted for British consumers. This original and engaging study will be fascinating reading for all scholars of 20th-century British cultural history. Michael John Law is Research Fellow in History at the University of Westminster, UK. He is the author of The Experience of Suburban Mod
ernity: How Private Transport Changed Interwar London (2014).David W. Gutzke is Professor of History at Missouri State University, USA. His most recently authored book is Women Drinking Out in Britain since the Early 20th Century (2014).
女性獨自旅行者與陌生男性的相遇及體驗
為了解決Classy meaning 的問題，作者蘇秋萍 這樣論述：
從歷史發展來看，旅行與探險一直是由男性主導，女性被歸屬於家庭，其成就與旅遊經驗多被忽略。近年來女性獨自自助旅行（以下稱獨旅）的風氣在全球各地均掀起熱潮，亞洲也不例外，獨旅女性挑戰刻板傳統、表達自主，並拓展他們的生活領域；對他們而言，獨旅並非全程獨自旅行或封閉社交，相反地，社交互動常是獨旅者旅遊體驗的精髓所在，然而有關女性獨旅社交互動之研究明顯不足。本論文以女性主義觀點出發，探討亞洲獨旅女性在跨文化探險中的社交動態，特別就她們與陌生男性間的互動體驗為主軸，從正反兩面的接觸，來了解陌生男女在觀光場域上，所衍生出的性別關係及其影響與意涵。本研究運用質性方法，以立意滾雪球取樣，共招募十九位台灣獨旅女
性，以半結構式的深度訪談，探究她們與陌生男性在旅途中最難忘的正、負面體驗。研究結果顯示，她們的正向互動可歸納出四種情境：旅遊點滴、善意行為、友誼相伴，與情感牽連。負面的面向則以騷擾為主題，探索獨旅女性在遭遇陌生男性騷擾時的感受與反應，以及這些負面事件對獨旅女性所產生的影響。從社會文化情境的視角檢視，女性獨旅在台灣仍承受不少壓力，對已婚女性而言更是如此。獨旅女性與男性的正向互動固然增添旅遊便利與樂趣，對她們身心靈上的成長也大有助益， 意義非凡。但另一方面，旅途中的困境以及陌生男性的騷擾對她們的威脅也無所不在。然而，她們並未退縮，反而以獨旅作為對抗傳統規範的起點，透過旅行的歷練，探索世界與自我，充
分展現女力與潛能。在獨旅的道路中，她們不只走出性別認同的窠臼，走出自我的極限，也影響了周遭的人。本論文回應觀光休閒學者們的呼籲，提供更多有關女性主義觀點的研究，除更為深入鑽研亞洲獨行女性的探險歷程，更從正、負兩個面向，全面性剖析獨旅女性們在與陌生男性相遇時激盪出的多元性別關係，以及這些互動對他們個人所產生的意義與影響等。研究結果填補相關學術領域的缺口，也豐富對亞洲女性休閒旅遊行為的理解。
The Roadhouse Comes to Britain: Drinking, Driving and Dancing, 1925-1955
為了解決Classy meaning 的問題，作者Gutzke, David W./ Law, Michael John 這樣論述：
This is the first book to examine the cultural phenomenon of the roadhouse in mid 20th-century Britain and its impact on British leisure. The term ’roadhouse’ was used in varied ways in the 1930s, from small roadside tearooms to enormous establishments on the outskirts of major cities. These road
houses were an important component in the transformation of leisure in the 1930s and beyond, reflecting the increased levels of social and physical mobility brought about by new technologies, suburbanisation and the influence of American culture. Roadhouses attracted wealthy Londoners excited by the
prospect of a high-speed run into the countryside. During the day, they offered family activities such as tennis, archery, horse riding and swimming. At night, they provided all the fun of the West End with dancing, classy restaurants, cabaret, swimsuit parades and dance demonstrations, subverting
the licensing laws to provide all-night drinking. Rumours abounded of prostitution and transgressive behaviour in the car park. Roadhouses formed part of an imaginary America in suburban Britain that was promoted by the popularity of American movies, music and fiction, providing a pastiche of the Am
erican country club. While much work has been done on the Soho nightclubs of the 1930s, the roadhouse has been largely ignored. Michael John Law and David Gutzke fill this gap in the literature by providing a comprehensive analysis of the roadhouse’s cultural meaning, demonstrating how its Americani
sation was interpreted for British consumers. This original and engaging study will be fascinating reading for all scholars of 20th-century British cultural history.
超級巨星的要素探討—以韓國與印尼娛樂圈案例分析
為了解決Classy meaning 的問題，作者陳淩峰 這樣論述：
本研究分析了作為超級明星的特徵元素的研究。在這項研究中,研究人員將印尼的娛樂業作為分析物件,尋找解決方案和投入,使印尼娛樂業的發展能夠健康發展,並能夠與國外的娛樂業競爭。研究人員利用韓國的娛樂業作為他們成功發展娛樂業的參考,使其在幾乎所有國家都享有盛譽。本研究採用的方法是通過訪談收集的定性、定性數據。從研究結果中,研究人員發現50%的參與者是K-pop粉絲,50%不是K-pop粉絲,然後85%的被訪者同意印尼的娛樂業需要像韓國一樣,通過幾個步驟來解決該行業的現有問題。研究人員對此的研究動機是,研究人員希望能夠發現印尼娛樂業中出現的問題,以及如何改進或提供最佳解決方案,使印尼的娛樂業能夠正常發
展。使印尼能夠被其他國家承認。研究人員從多個來源尋找理論來源來支援這項研究是有效的,對印尼的娛樂業是有用的。研究人員通過這項研究獲得的結果是找到可以改善印尼娛樂業的方法,以便研究人員通過研究人員的採訪,找出人們對印尼娛樂業的抱怨。此外,研究人員亦意識到,政府及社會人士的支援,對娛樂業的質素影響很大。